Take the Tour
State of Mind
and how it Most Likely began
M ake no mistake; I have been blessed with a
full life of great family and friends; of adventures, and awakenings.
And, in spite of the daily dose of cynicism that life so wryly slings at
our feet to either step in or step over, it has been the voice of
kindred souls that have provided the real meaning and color to my
journey. For this, I am truly thankful.
The accounts that follow have coalesced over time from my best
recollections of the people, places and events that have fashioned my
reality; and are shared to offer a perspective to be enjoyed, to provide
a point of reference from which to re-build your own memories, or simply
set aside.
This is my side of the story; told in as an unadulterated a manner as
I am capable. The story of how the paths of five teenage boys converged;
of how they became united in mind and purpose; to build a band, State of
Mind; the life celebration it was then and remains today.
Bill Sissom
|
Bruce Chapman |
Jeff Fiehler |
Howard Latham |
Tom Triplett |
Bill Sissom |
The Enlightenment
It was July back in...ugh! 1966, and another one of those carefree
days of summer as most seemingly were in the life of a high schooler.
And, for the two of us it was a day we determined would be best spent
doing as little as possible poolside at the Aberdeen Proving Ground
O’Club. We strolled in and casually surveyed the landscape before
deciding to throw out our towels on a thick grassy spot just off the
deck that offered two of the major poolside requisites of unobstructed
views, and a place to "take a tan".
I had barely gotten my butt nestled into the deep grass and my mind
lost in the moment when my buddy Bruce started jabbing me in the ribs
while urging me to sit back up.
"Mr. Bill quick, check out the "babe" climbing out of the
pool…dripping wet."
Now, I had been hanging out with Bruce Chapman long enough to have
developed a general trust in his judgment, including taste in girls, so
I figured what ever he was wanting me to see was most likely worth my
effort.
"This better be good" I moaned as I pulled myself back up and turned
in the direction of his gaze.
"Damn! We have got to come up with a better way to meet girls like
her than what we’ve got" he noted, squinting harder to get a better
look.
Then I watched perplexed…as he became entranced in a look that seemed
to continue across the pool, on through the bikini and out to who knows
where. For an instant I wasn’t sure if Bruce was hypothecating some
deeper meaning to a concept that even if I spent the rest of my life
trying to understand would still elude me, or was just getting ready to
fart and then laugh like hell. I backed away just to be on the safe
side. He finally exhaled and declared with indisputable
conviction…"Bill, We need a band!"
"A band?" I responded somewhat surprised by his pronouncement.
"Yeah, Mr. Bill, a band! You know…money for nothing and chicks for
free".
Geez, I had never quite thought about it in those terms before; my
imagination spinning ever faster like a roulette wheel thru a multitude
of exciting outcomes. "Money for nothing and chicks for free" I
repeated. The more I thought about it the more appealing it sounded.
Bruce was a pretty smart guy; and always had a knack for putting two
hundred and two hundred together and getting four hundred, and according
to my Mom and Dad "had a real head on his shoulders", as opposed to the
rest of us that had, well, something else…I guess.
"Hmm…a band?" I said as my head began filling with fantasies of
pretty girls and fast cars….
Bill and The Ravens

A year or so earlier I had been part of a neighborhood band we named
The Ravens. This quintet featured drummer Larry Weimer, guitarists
George Doss and Alice Berning, and Betty "Sis" Meyer on bass. I sang
most of the leads, and while obsessed in the moment, beat the crap out
of my leg with a tambourine.
For me, The Ravens provided an entrée into the music business, and
from the "git-go" my indoctrination was both seductive and fulfilling. I
quickly realized how much I loved playing music, loved playing out of
the house on school nights, and how unbelievable it felt to get paid for
doing something that I loved, or Bruce so aptly phrased it, "money for
nothing".
The Ravens gigged regularly at local teen haunts and Services clubs
where GI’s would pack the place not only to enjoy the band and its music
but to become hopelessly infatuated by the girl players. Imagine that!
The Ravens was not only providing me with an entrée into the world of
music but also into the world of business. And right there I was being
introduced to Marketing 101; cool!
As a result of this "on the job training", later while enrolled at
the University of Maryland when I actually took Marketing 101, there
really was no need to attend "repetitive" classes of what I had learned
during my Ravens experience. So I deemed it "acceptable" to skip that
day; or week, or what ever it ended up being.
Additionally, I think I might have "clepped out" of a "few other
classes" when I felt my Ravens experience had provided adequately: i.e.,
I quickly recognized that at the end of the night, if I piled my gear up
over with the girls, the lust filled soldiers who would trip over each
other trying to be the one to help the girls with their gear, would
schlep it out as well. That would still be Marketing, right? …Maybe
Chapter 2-Packaging? …Yep…that’s probably it…Packaging…skip…skip.
Looking back I believe the bands brightest spotlight was illuminated
during our performance at the Annapolis National Guard Armory along with
"The Hangmen" of "What a Girl Can Do" fame. Unbeknownst to me
Jim Gibney was there that day as a spectator. Jim is an uber
talented vocalist, a Legacy member of
State of Mind
and Friends,
and a life long friend. (Please find more on Jim Gibney under this
site’s And Friends tab and Links tab to The Main Event,
his current band, which I would highly encourage each and every one of
you to make an effort to see.
Jim was already a friend of Bruce’s, both being Army brats whose
families had earlier been stationed in Heidelberg Germany. Later, while
attending the University of Maryland, Jim and I would share an apartment
which served as our base to eat, sleep, shower, and on occasion study.
It was from there we would launch nightly periodic
excursions to the numerous Georgetown clubs and "watering holes" for the
purpose of checking out local bands, local "talent", and spiritually
refreshing ourselves.
Jim provided the ultimate "crash course" on D.C. night life, as
reflected by my GPA which, despite the benefit of the aforementioned
Ravens education, ultimately ended up looking something like D.C. bars
=A University of Maryland =C.
Any way, The Ravens disbanded at the end of school a year earlier;
the time high school bands often do, but not before Larry moved to New
Jersey and had been replaced by Howard Latham. George, Alice and Sis
graduated and went about their summer doing the things that graduates
graduate on to. Howard joined another group, and I just decided to "rest
up" until someone came looking for someone with my unique talents. I
would probably still be "resting" today if Bruce hadn’t been entranced
by the wet bathing suit and raptured by the karma of his revelation.
Deciding on a Keyboard Player

"We need a Band, Huh?"
"Yeah, Bill. Money for nothing and Chicks for free", Bruce echoed.
We sat quietly for a moment. The sun had long since dried out the
bikini and Bruce and I had returned our focus to the topic of
conversation: We were going to have a band!
"Ok! So I didn’t get run out of town with the Ravens, so I’m assuming
I’m getting your vote for the vocalist part?"
"You’re in Bill", Bruce noted matter of factly.
"Great! That takes a load off my mind".
I knew the next step was to ask the question that had been lingering
in the back of my mind ever since his ‘we need a band’ proclamation.
"So…Bruce, if we are having a band, well…how do you see yourself fitting
in?"
Bruce paused for a second and looked back in the direction of the
dried bikini; perhaps again seeking some additional form of
enlightenment. I sensed he was about to "spill his guts" with a secret
he had harbored at least for as long as I knew him.
"You see Bill…when I was a kid my Mom made me take piano lessons."
I considered teasing him but just felt relieved to finally have
gotten a glimpse of his aspirations, and then watched as he continued to orchestrate the sharing of his dreams
and musical ambitions, which began with elevated forte and transitioned
into a more deliberate and muted pianissimo during the section of how he
hated lessons and practice.
We both laughed when we realized neither of us could name a kid that
didn’t hate lessons.
What sealed the deal for me was his trump card; while he couldn’t
sing he could scream; and pretty much "like James Brown".
Perfect!" I muttered, trying to imagine the endless possibilities
this skill set created.
But, we were confident we could make something positive happen if we
set our minds to it, so with little further debate, we penciled him in
for keyboards, and enthusiastically continued our discussion, agreeing
that while he probably had to "shake off some rust", from this point on
we would use his experience and qualifications as "minimum standards"
for future band members.
Wow! We weren’t even sun burned yet and the band had a singer, and a
keyboard player who could scream. We looked at each other, smiled and
said out loud in unison as if we had been cued, "Money for Nothing and
CHICKS FOR FREE!"
Tom Triplett
We were off to a good start and the band already had two members. So
what if they were just Bruce and I? No big deal; we figured as long as
we could add others who could actually play and sing, then their
credibility would in fact turn our enterprise into something of
perceived value, and not lend itself to the allusion of merely putting
lipstick on a pig.
Anyway, being at the O’Club made it easy for us to think of Tom
Triplett who, like Bruce lived just a few minutes walk away. For one
thing we knew Tom was a pretty good guitar player but also, and only as
a minor, secondary consideration, we figured having him in the band
wouldn’t hurt our chances of being invited to his older sister Trudy’s
frequent Hootenannys; that while they began at the Triplett house, would
by sunset relocate to the 7th green of the golf course across
the street and morph into "make out" parties. Or so we had been told.
We agreed that as young "rising stars" it probably made sense to
become part of these outings; and besides the additional "hands on"
experience was largely desirable, particularly in light of the barely
manageable testosterone levels that were pulsing through our bodies...
We were ready, willing and able to take the next step and if it was
going to take singing "If I Had a Hammer" instead of "Satisfaction" at a
Hootenanny, then we would agree provisionally that this action would
constitute an exchange we could live it. But, we also decided
that these folksy fifties standards would have little or no place in the
electrified, Rock and Roll world we were creating.
We knew that Tom listened to all styles of music and believed he
would be able to stand on his own with an electric guitar, and decided
to approach him. His joining the group would bring solid vocals for me
to sing against (and Bruce to scream around) as well as a personality we
knew would fit right in.
Tom and I had hung out together off and on every since he had moved
to Aberdeen Proving Ground from Red Stone Arsenal in 1963. One of my
favorite memories of Tom was the trip we made one summer to the Florida
Keys scuba diving and generally creating a state of general confusion
along the US 1 corridor between Harford County and Key West.
Tom was an integral part of the band until he left during the summer
of 1967 and joined the Navy to get on track for an appointment to the
USNA.
What was pretty cool: on our last gig of that summer Tom
showed up as we prepared to play the last song the band would perform
before we all moved on to "higher callings". It was a song that Tom
routinely carried the lead vocal on, and we all could not have been
happier to end the night and the season by having him "take us out".
As "We Gotta Get Out of This Place" resounded thru the room we all
turned to each other and smiled, flashing back over all our earlier
triumphs. When it was over we patted each other on the back, packed up
our gear and headed over to my house for a farewell party. For us, our
post high school summer had run its course. But it is only now by
looking back that I realize it was that very night we all, save Howard,
crossed that celebrated but indefinable threshold in time that separates
the youthful ways of high school from the adulthood (?) of college. We
had come to the end of an era, yet the beginning of something we
believed would be bigger. And, we were all way past ready to take the
next step.
Tom did head to the Naval Academy and during my days at the
University of Maryland would occasionally rescue him and his Middie
buddies from the "brig" in favor of some partying and adventures at my
apartment and in and around metro D.C.
Tom became a husband, father and successful businessman, and here I
believe I can not adequately serve to tell "the rest of his story".
State of Mind anticipates the day original band members reunite for a
gig or two.
(Please find more on Tom Triplett under this site’s Band
Members tab)
Jeff Fiehler

The field was crowded that day with children laughing, screaming and
running in every direction. Moms and Dads totally bemused by the
spectacle stood out of the way on the sidelines, making only half
hearted efforts to control their kids and only when one happened to run
by within arms length. Despite being billed as a community affair for
the entire family, what I remember witnessing was more like herding
cats.
I stood over with the rest of "the band" as we warmed up for our
opening number, banging together the woodblocks I had been handed and
feeling very troubled. I distinctly remember turning them down as they
were handed to me, while passionately explaining that I had been
practicing on the tambourine not woodblocks. How could I possibly
go into my first big performance with the woodblock section?
But the lady insisted that I would "do just fine" with the woodblocks
and that she had more important issues to deal with than me not getting
"my little tambourine". While I some how managed to bite my lip (ergo:
not cry) I remember searching for a glimpse of my Mom, because if anyone
could solve the "wood blocks dilemma" it would be Mom. When I failed to
spot her I frantically decided to expanded my search criteria to include
any Mom that had even the slightest resemblance to June Cleaver. Boy
Howdy, my options were fading fast…and faster than a speeding bullet my
future and reputation as a tambourine player were about to be dashed.
Anyway, there, a couple of kids down, madly drumming the little snare
that hung around his neck, and grinning like he had just pooped his
pants, was Jeff Fiehler. This was Kindergarten, and it was the first day
of May: May Day.
Like the jeans I so often wore in my twenties, other memories of that
day have faded, but I seem to remember feeling after our finale that
our performance wasn’t as good as it had during rehearsals; when I
played tambourine. But parents applauded just the same, and the same
lady that handed out the instruments gathered them up just as
indifferently.
As she took the woodblocks from my hands she smiled and said, "You
did a nice job." I looked back, head low in disappointment.
She walked off in one direction and I in another, hoping to find my
Mom.
In retrospect, the comfort in this story rests in the fact that life
has provided Jeff and I with a form of musical bookends; that being our
band days seem to have started together that day in May and hopefully
will end together years down the road in State of Mind; though I must
add, I am much appreciative that he no longer plays drums and I the
woodblocks.
That day at the O’Club pool as Bruce and I continued our band
blueprint Jeff’s was the next name to come up for consideration. We felt
that like Tom, Jeff would easily fit in with our group, and actually
owned an electric guitar and could handle the lead solos.
While I do recall sitting on the floor of his bedroom scribbling out
the words and music to "This Feeling", an original song we co-wrote and
still perform, my real adventures with Jeff didn’t begin in earnest
until our high school SoM days and later, where trips camping, boating,
skiing, playing guitars or just hanging out become way too numerous to
even begin to cover here.
I would like to add that when time allows I intent to share a few of
these stories, including several about Jeff’s Mom and Dad, Rosie and
Len, who had a front porch mat that read "Welcome", and who’s door
opened into a home full of laughs, high spirits and kindness. Here’s to
you Len and Rose!
Howard Latham

The band still needed a drummer, and the choice was both clearly and
painfully obvious. In our minds there was one, and only one choice that
both appealed to us and met or exceeded our "minimum standards"; Howard
Latham.
"The option here Mr. Bill is a "no-brainer". "Clearly it should be
Howard" Bruce offered, and I agreed.
Howard was an awesome drummer and like Tom and Jeff an easy going guy
that would fit right in with the rest of us.
Since our Ravens days, as I was "resting up", Howard had only gotten
better; much better, taking lessons and playing out with some
very good musicians. I recall one night I went out to catch his act. As
he started playing "Wipe Out" I stood in amazement as the whole room
stopped dancing and crowded around the stage to watch him play his
solos. Impressive. We had to get Howard.
So, while the clearly obvious part of adding Howard to our wish list
was complete, the painfully obvious part was "why would anyone of
Howard’s talent want to play with a bunch of guys who not only didn’t
own equipment but largely had never played out before?
We needed a plan to elevate Howard’s perception of our worth. So
Bruce, Tom, Jeff and I secretly practiced for more than a month before
inviting him to join us. I guess it wasn’t nearly as successful as we
thought because Howard later confided to Bruce, after a few gigs, that
he didn’t realize how bad we really were when he agreed to be part of
the group, but after thinking it over had decided to stay because "he
had never before had such a good time sounding like shit"!
While Howard’s remarks represented some deviant form of testimonial
that perhaps was best left unexplained, we all got focused and
productive fearing he might leave; and Jeff offer to switch to drums.
In our State of Mind days when we performed "Wipe Out" Jeff, Bruce
and I would leave Howard at the beginning of his drum solos; departing
the stage and sometimes even the room, allowing him to enjoy the
spotlight but compelling him to carry the moment. Even though we thought
it was pretty neat giving him center stage, I have to admit we also
found a bit of humor in our actions: like the smug sense of satisfaction
you get from doing something wrong, knowing that while you could
get caught you probably wouldn’t, and there was little or no downside if
you did….so what the heck.
So leaving the stage during "Wipe Out" was our modus operandi, until
one time we stayed out a really long time and got back to find Howard "sorta"
still playing his solo but now at almost half tempo, the people still
left on the dance floor are slow dancing to "Wipe Out", which I believe
was a historic first; and poor Howard…he is soaking wet, slinging sweat
all over the place, puddles forming on the floor, gasping for air like
he had just run the Boston Marathon on one leg, and…well…pissed off.
Yeah, I believe "pissed off" would be a fair assessment of the look on
his face when we nonchalantly wandered back in. Though Howard was
consistently a pretty laid back guy, this time it was painfully obvious
we had carried our prank a bit too far.
After the gig the band got together and talked about what had
happened. Jeff, Bruce and I expressed regret for our actions and agreed
that going forward perhaps 10 minutes was a bit too long to be
gone, and that we would do our very best to try to get back on
stage in say… five. Howard apologized for being upset and we accepted
his apology but told him, and in jest, he knew what he could do if he
couldn’t take a joke. We all laughed. Sorry Howard…tea leaves suggest
the whole thing was Jeff’s fault.
I am uncertain what it ultimately took to persuade Howard to join us.
Maybe it was the "money for nothing and chicks for free" carrot that
Bruce had conceived and dangled, or perhaps it was the lure of the 7th
green, but he did, and has been a member of the group and life long
friend ever since; for which we are all eternally grateful.
Professionally, Howard now goes by the name of Jesse Latham [due to a
credit problem with the mob :)] and performs regularly with local bands.
Please find more on Howard under the Band Members tab.
Bill: Bass by default

After agreeing that Howard would be our target for a drummer and
filling what we had considered as the band’s final personnel slot with
Jeff, Bruce and I suddenly realized that we were still without a bass
player.
"We are still without a bass player" I perceptively noted.
"Right" said Bruce, who was never short for words.
I couldn’t guess how long we sat, silently entangled in our quandary,
but at some point I recall wondering "just how hard could it be to play
bass?" I mean a bass only has four strings, and they are all big and fat
so they had to be fairly easy to hit or thump or what ever it was
bassists did; and mostly you only had to "thump" one at a time. Come on,
how hard could it be?"
And before I could fully comprehend the depths of my foolishness I
heard myself blurt out the words that I would ultimately live to regret…
"You know what? I think I could play the bass".
Well, crap! I couldn’t play bass! In fact I never even touched a bass
before. But I did see some one play one on T.V. and I did know we were
talking guitars here and not fish. So I rationalized that despite these
limitations, my qualifications for the bass job, with a good tail wind,
where essentially similar in nature to Chapman’s with the piano; So
therefore, and fundamentally speaking, weren’t my credentials "meeting
or exceeding our established minimum standards". Ok, ok! He had
taken lessons, but then I’m thinking "Isn’t taking lessons kind of like
cheating?" I mean it’s almost like needing to read maps. Guys don’t read
maps! That’s cheating! So, I just figured I didn’t need lessons! ...See!
Minimum standards!
However, once we started rehearsing I was quick to discover that
singing and playing the bass was indeed a challenge; like patting your
head and rubbing your stomach; which I am pleased to report I have
mastered over the years; though playing the bass and singing still
remains fundamentally elusive.
Thankfully, when the band embraced the "and Friends" concept
and added bassist Paul Ross to the group for the "Feed the World but
Feed the Band First" tour, I was instantly relieved of my former
responsibilities and "just plain relieved" to be able to focus on the
guitar, now my primary instrument. Ahhh…no more thump, thump de dump!
The end of the day

Bruce and I paused for a moment and were both surprised to find the sun had
journeyed completely across the sky and was well on its way toward
setting on the western horizon. The blue shades that had so pleasantly
colored the day were now giving way to the reds, oranges and yellows
that typically signaled lights end grew near; while poolside the few
souls that remained were gathering their belongings and preparing to
depart. Bruce and I agreed it was time to join them.
"Wow, what a musical genesis this day has been" Bruce offered, and
then paused. "Hey! What do you think of that for the name of the band?"
"What? Musical Genesis?" I asked
"Or…just Genesis."
"That’s stupid" I said. "No one would ever call their band Genesis.
We need something cool."
We grabbed our towels and headed off for home. I got into my car and
watched as Bruce walked off, hesitated for a moment and then turned to
shout back what had become the mantra of the day;
"Money for nothing and chicks for free Mr. Bill."
"Money for nothing and chicks for free Mr. Bruce."
I remember falling happily asleep that night. There were visions of
sugar plums amongst other things dancing in my head and for that matter
all over the bedroom. And while there remained the challenges of getting
our A list guys on board it all still seemed like a big party just
waiting to happen. And, it was.
Forty something
And 40 years later, with a wardrobe loaded with shirts that not only
button up but must have pockets to hold reading glasses, here I am, and
we are; State of Mind, still having the time of our lives. Forty years
later, and still with some of the best guys in the world, and with a
life time of memories and adventures to share with anyone we can get to
listen.
So, that was it…that one day …not the day the music died but rather
the day it began; at least in the lives of five guys, and in the lives
of those they have touched in some special way. Good Lord willing
perhaps we will "tour" for another forty; ok, maybe twenty.
A fter the final chord has
sounded from my old guitar
"Bill…"
"Huh? Whoa…Where am I?"
"You’re in Heaven, Bill"
"Heaven? …Really?...No way!"
"Way", she replied, making eye contact for the first time.
"Say, don’t I know you from somewhere?"
"You might…as here in Heaven we are all Brothers and Sisters in the
eyes of the Lord."
"Hmmm"…I muttered, pausing to look around.
"Wow! I can’t believe this…Pearly gates….and gold everywhere…just
like they said…and… Hey! Wait! Where’s that guy going with that guitar?
That’s a Fender! A Solid Gold Fender Strat! …I can’t believe it."
"Well, Bill…not only are you in heaven, but you’re in Rock and Roll
Heaven, and that guy is headed off to rehearsal."
"Rehearsal? Are you kidding me? You mean you still have to practice
in heaven? I thought up here everyone could play like Jimi Hendrix or
Eddie Van Halen…and with their eyes closed and their guitars behind
their backs."…That’s a bummer, still having to practice in heaven…I
guess you probably still have to take showers here too", to which there was
no reply.
"Well, anyway…have you ever heard of State of Mind?" I asked.
"I believe I have, but I don’t think they will start touring for a
while.
"And to be perfectly honest, we’re still not sure that one or two of
your guys might not end up appearing regularly with the other band."
"What other band", I asked.
"You know…Old Nick and the Lost Souls." she stated quietly.
"Never heard of ‘em", figuring they must really suck.
I guess in the grand
scheme of things it really didn’t matter when the guys got here or when
we would start touring, I was just trying to figure out what the heck to
do in the mean time.
"So, the guy with the gold Fender…he’s going to rehearsal, huh? Can I
watch?"
"Well Bill, you can’t really watch…because we are going to put you
right in the band."
"No way! Right in the band? This is Rock and Roll heaven and I’m
going right in the band!"
"Yes Bill! And, until the rest of the guys get here and you are all
ready to tour I have an eighteen carat instrument right here for you."
Smiling, she reached down and pulled something from beneath her flowing
white robe and placed it in my hand.
I glanced down only to find a pair of golden woodblocks cradled
between my palms. I looked up and shook my head in disbelief.
She walked off chuckling… and I to look for my Mom.
Thanks for taking the time to share this adventure. Warm
Regards…..Bill
|